✪ The latest novel from the first Korean author that ever wins the CWA Crime in Translation Dagger

“Yun Ko-eun’s surgical satire on the age-old war between art and commerce has never felt this fresh and this relevant.” -- Sean Ellis, British film director

“Yun Ko-eun puts a lighted match to our present-day bonfire of the vanities, and the result is a memorably bizarre spectacle." -- Simon Morley, author of 'MODERN PAINTING. A CONCISE HISTORY

A darkly humorous and compelling satire of the art world from the author of THE DISASTER TOURIST.

An Yiji’s career had been stalling for some time when a representative of the illustrious Robert Foundation offers her a spot on their all-expenses-paid artist residency in California. The residency has launched many famous artists’ careers, so she knows she can’t waste this opportunity. Still, she feels reluctant to accept, and with good reason: the foundation’s patron is a small dog named Robert, known for both his talent as a photographer, but also his arrogance. Moreover, the offer comes with a condition: on the last day of the residency, one of An’s paintings must be incinerated, and Robert gets to select which one.

When An reaches California, she finds the state ablaze with wildfires, but at the Foundation all is calm. She navigates awkward dinners with Robert, tries to find inspiration while being bombarded with sponsors who all want their business to be the subject of her art, and despairs at the prospect of her work being set on fire. Was coming to California a huge mistake?